RaveCut Get it · $125
First 100 buyers: $125 instead of $250code LAUNCH5030-day refund.
Buy once, no subscription No cloud, no generative AI Runs entirely on your Mac

Every DJ set, cut on the beat.

RaveCut is a plugin that edits your multicam DJ set for you. Choose the folder from the night: it syncs every camera and cuts between them on the beat, right in Premiere Pro or DaVinci Resolve Studio. Offline, on your Mac.

Get RaveCut · $125 Half price for the first 100 buyers · code LAUNCH50
Watch it cut a set

First edit free, just your email. 30-day refund.

  • Club nights
  • Warehouse raves
  • Festivals
  • Open-airs
  • Livestreams
The RaveCut panel, docked beside a timeline called Cut 1: four video tracks, one of them switched off and labelled Check sync, the set recording on A1, and the panel saying Cut 1 is on your timeline.
Cut 1 of Erik's own set: 3 cameras, 2 h 16 min, one file flagged.
By hand: an eveningSyncing

Every camera started at a different moment. RaveCut lines them all up to your set recording.

By hand: a weekendCutting

It hears the music and switches cameras right on the beat, all night long.

By hand: hours of scrubbingBad shots

Dark, blown-out or blurry moments are skipped for you.

By hand: easy to missNothing lost

A clip it can't line up is set aside and flagged for you, never placed out of sync.

You check the edit. RaveCut does the rest. How we know it works.

The problem

Editing a multicam DJ set by hand takes days.

Syncing the cameras takes an evening. Cutting on the beat takes a weekend. RaveCut does both for you.

The room: a DJ at the decks in front of a wall of record sleeves lit pink and violet, seen from the wide camera. The booth: the same DJ close up over the mixer, hands on the faders, seen from the booth camera.
Two of three cameras on Erik's Beat Room set, straight from the files.
How it works

Choose a folder. Get an edit.

The panel in Premiere Pro. Resolve Studio has the same steps.

  1. Panel screen: Start with your set, with a Choose folder button and a recent folder called Beat Room.
    01

    Choose the folder

    Your cameras and your set recording. No sorting or renaming.

  2. Panel screen: Listening to your set, with the length 2:16:20, 128 BPM, 20 moments, an energy graph and a Stop button.
    02

    It listens

    It finds the beat and the big moments in your set recording. A minute or two.

  3. Panel screen: Your set, with the energy graph, the drops marked, and two choices: Make a highlight, marked Beta, and Cut the whole set, analysing at 34% with a Stop link.
    03

    Whole set or highlights

    Cut every camera start to finish, or make short clips to post (beta).

  4. Panel screen: Analysing the whole set, Reading the cameras, 3 cameras and your set recording, a moving bar at 14%, the five stages listed, about 8 min left, and a Stop button.
    04

    It does the work

    Lines up the cameras, checks every shot, plans the cuts. Most sets: 15 to 35 minutes on an M1 Max.

  5. Panel screen: Beat Room edit, 547 cuts, 2:16:20, median shot 14.9 s, the three cameras named The room and The booth, the pace choice Relaxed, Standard or Hyped, Level the set audio ticked, and Goes to Cut 1, new.
    05

    Your edit lands

    Pick a pace. A new sequence, Cut 1, appears in sync, ready to finish.

Watch all five steps in the demo

Frames from the panel; timings illustrative.

What you get

The edit you'd have made. In minutes, not days.

22 seconds of Erik's set. Every cut is RaveCut's.

The whole-set editFour cuts on the beat, three cameras.Rendered from RaveCut's cut list; colour as shot.
A highlight, Tall BetaFramed 9:16 for Reels.
Every camera, then the editThe lit camera is the one in the edit.

Every camera on its own track

Swap any cut by hand.

Your set recording on A1

Levelled and in sync.

Three paces

Relaxed, Standard or Hyped.

Flags, not surprises

Anything it couldn't sync is switched off and flagged.

Why it's reliable

It never guesses.

A camera it can't sync for certain is switched off and flagged, never placed wrong. Nothing you filmed is left out.

Cut 1 of the Beat Room set, the last sixteen minutesFive tracks. V4 Check sync holds the one BMPCC file RaveCut could not line up, parked after the set on its own track, dashed and switched off, labelled CHECK SYNC. V2 BMPCC and V1 R5c alternate as the chosen shot until the cameras stop at 2:13:36. V3 Studio G2 ended at 57:21. A1 is the set recording, to 2:16:20.2:08:002:10:002:12:002:14:002:16:002:18:002:20:002:22:00V4Check sync[CHECK SYNC] A006_09011925_C001.braw · switched offparked after the set →V3Studio G2ended at 57:21 — nothing to place hereV2BMPCCA006_09012104_C004.brawV1R5cA005C041_261004LP_ERIKP.CRMA1Set recording2026-10-04 Beat Room - Master Audio.wavends 2:16:20
The last 16 minutes of Erik's set: the one file it couldn't sync sits after the set, switched off, labelled CHECK SYNC.
0%

Wrong syncs on 144 test clips with known answers.

Test clips
2,400+

Automated tests before every build.

Every build
Never

Touches your existing sequences. It adds a new one.

A product rule

Every number is measured. If we can't measure it, we don't say it.

Highlights Beta

Your best moment, ready to post.

It finds the drops, frames every camera and makes the clip.

  • Wide — YouTube, websites, screens
  • Tall 9:16 — Reels, TikTok, Shorts
  • Square 1:1 — feed posts

Framed on the DJ

Unsure? It says so, and you drag the box.

Moving shots left out

A crowd shot caught mid-move stays out.

Beta: Premiere Pro today, Resolve next.

What you need

Four things.

  1. A Mac with Apple silicon (M1 or newer).
  2. macOS 26 (Tahoe) or later.
  3. Premiere Pro 2026 (26.3+) or DaVinci Resolve Studio (20.3.2+). Free Resolve can't run plugins.
  4. Two or more cameras, plus your set recording.

16 GB of memory works; 32 GB for long nights.

Price

Buy it once. Own it.

once
Launch price · first 100 buyers · code LAUNCH50

Half price for the first 100 buyers. $250 after.

  • First full edit free, just your email
  • Every version 1 update
  • 2 Macs, one key for Premiere Pro and Resolve Studio
  • Offline after you activate once
  • No subscription, no upload
Get RaveCut · $125

Try your first edit free →

30-day money-back, no questions. How refunds work →

USD, via Lemon Squeezy. Your key arrives by email.

Questions

Before you buy.

Any electronic music event: club nights, raves, festivals, open-airs, livestreams.

No. If you can pick a folder, you can use it. If you do edit, you get a normal sequence to finish your way.

It's still placed, switched off and flagged orange. Slide it into place or leave it out.

No. It never changes anything you've already made. It adds a new sequence you can keep, change or delete.

Yes. Your footage never leaves your Mac. It needs the internet only once, to check your key when you activate.

Yes, within 30 days, no questions asked.

All questions, by topic

The full list needs JavaScript. Email support@ravecut.com or read the guide.

Buy once · No subscription · No cloud · No generative AI · Runs on your Mac

Every DJ set,
cut on the beat.

A Premiere Pro and Resolve Studio plugin that syncs every camera and cuts your multicam DJ set on the beat. Choose the folder from the night, get an edit.

Get RaveCut · $125 Watch it cut a set

First edit free, just your email · 30-day refund · first 100 buyers $125 with LAUNCH50

Cut 1 of Erik's own set: 3 cameras, 2 h 16 min, one file flagged.

What it takes off you

Four jobs. Done.

SyncingEvery camera lined up to your set recording.By hand: an evening
CuttingIt hears the music and switches on the beat.By hand: a weekend
Bad shotsDark, blown-out or blurry moments skipped.By hand: hours
Nothing lostA clip it can't line up is set aside and flagged.By hand: easy to miss
How it works

Choose a folder. Get an edit.

1
Pick the night's folderCameras and your set recording, as they came off the cards.
2
It listens, syncs and judgesAbout 10 minutes for a two-hour set on an M1 Max.
3
Cut 1 lands on your timelineEvery camera on its own track. Change any cut by hand.
What you get

The edit you'd have made.

22 seconds of Erik's set. Every cut is RaveCut's.

Why it's reliable

It never guesses.

A camera it can't sync for certain is switched off and flagged, never placed wrong. Nothing you filmed is left out.

0%wrong syncs on 144 test clips
2,400+tests before every build
Nevertouches your existing sequences
Price

Buy it once. Own it.

$125$250once

Launch price · first 100 buyers · code LAUNCH50

  • Every version 1 update
  • 2 Macs · Premiere Pro and Resolve Studio
  • Offline after you activate once
  • No subscription, no upload
Get RaveCut · $125 Try your first edit free

30-day money-back, no questions. Needs an Apple silicon Mac, macOS 26, Premiere Pro 2026 or Resolve Studio.

Questions

Before you buy.

Do I need to know how to edit?

No. If you can pick a folder, you can use it. If you do edit, you get a normal sequence to finish your way.

What if a camera doesn't line up?

It's still placed, switched off and flagged orange. Slide it into place or leave it out.

Will it touch my project?

No. It adds a new sequence you can keep, change or delete.

Does it work offline?

Yes. Your footage never leaves your Mac. It needs the internet only once, to check your key.

Is it only for raves?

Any electronic music event: club nights, raves, festivals, open-airs, livestreams.